My recent installation talks about a lot of things I am interested in: compressed experience, blueprints, editing with addition and subtraction, and indeterminacy of forms. It also has a paradoxical nature of looking "good from far, but far from good." Looks clean and precise from a distance, but up close the crude nature of hand-cut and placed tape is realized. I like this unashamed exposure of the material used to construct this image, how it acknowledges the visual environment as constructed. Pieces of tape are layered on top of each other, supporting and reinforcing the structure, filling in gaps left as residue from an unsuccessful attempt at precision.