The exhibition space at Gallery Homeland is a transitional area that can only be seen in its entirety through movement. The anamorphic wall drawings exhibited react to movement throughout the space by responding to the viewer’s point of view. There are a number of precise viewpoints in the gallery that activate an extended experience of the existing structural bounds. When viewed from these points, the forms suggest a dematerialization of the building providing an alternate visual landscape beyond the gallery walls.
The cavernous building interior is playfully expanded to create an illusion of a vast uninhabited industrial landscape in various stages of construction. They depict situations that echo the processes of construction and demolition but are unclear as to which one is taking place. This ambiguity is central to my work: in place of defined experiences I wish to create hybrid-viewing situations that extend possibilities of spatial experience and understanding.